As newbie Madison, a Von Dutch-sporting airhead mallrat (one who has literally not left the mall since the zombie outbreak), she manages to makes silly gags about persistent vocal fry and the joys of veganism endearing and hilarious. 'House of the Dragon': Everything You Need to Know About HBO's Upcoming SeriesĪnd there are some welcome newcomers, none more satisfying than Zoey Deutch.
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And there are full stretches of mile-a-minute laughs, fast-tumbling jokes, and an ability to remind audiences that the horror-comedy subgenre has endless possibilities. There’s Columbus’ understandable obsession with his rules for survival, which are again introduced by way of zippy key examples and flashy on-screen text. There’s the core four - Jesse Eisenberg as the pragmatic Columbus, Woody Harrelson as the gruff Tallahassee, Emma Stone as the snarky Wichita, and Abigail Breslin as perpetual kid sister Little Rock - all of whom exhibit the same flinty chemistry 10 years down the line. The good stuff is, of course, still good. Yet despite the good vibes and amiable callbacks to the previous film, “ Zombieland: Double Tap” is only ever amusing when it’s breaking new ground. Fleischer and his star-studded cast are all back for more blood-spattered adventures, and the central foursome is all too eager to slip back into their roles as post-apocalyptic survivors.
Turns out a double dip of Zombieland goes down easy when you see it for the irresistible escapism it is.A decade after Ruben Fleischer’s feature debut became a surprise hit, quadrupled its budget, and briefly held the title of highest-earning zombie film of all-time, the “Zombieland” gang finally returns to the big screen.
Still, there’s no sense coming down too hard on a movie that’s so eager to please. And the free-for-all climax set in a hippie commune with armies of zombies attacking like lemmings is a virtual recap of the 2009 apocalypse with diminishing returns. But the sight gags smack of desperation when Luke Wilson and Thomas Middleditch show up as bizarro versions of Tallahassee and Columbus. Returning director Ruben Fleischer, who now has Venom on his resume, milks every laugh he can from a script by Expendables scribe Dave Callaham and Deadpool jokesters Rhett Reese and Paul Wernick. Harrelson has more fun than anyone - it’s hard to tell if Stone is playing bored or actually feeling it - tossing zingers and doing his impression of the King when he hooks up in Memphis with fellow Elvis fanatic Nevada (a delicious Rosario Dawson). Luckily, it’s the R-rated banter among the actors that takes precedence over squashed skulls.
The search takes them on a road trip to an overgrown Graceland, leaving legions of headless zombies in their wake.
It’s the return of Wichita with news that Little Rock has run off with a pacifist hippie from Berkeley (Avan Jogia) that gets the plot moving. Zombies? Everyone’s so accustomed to crushing flesheaters with guns, hatchets, and anything else handy that they hardly break a sweat.